“Broken
projections” is a experimental visual expression for
electro-acoustic composition “Intersection” for magnetic
tape (1953-54),
by Morton Feldman (1926-1987) - a composer for an original soundtrack for the Jackson Pollock
film, as a contribution to the
“Project for magnetic
tape”, initiated in 1952 by John Cage.
There no concrete pitches are composed, rather Feldman notates in a
system of little squares solely the number of tones, which are to
sound
during a certain period of time on section of tape. In the same
illogical and disjointed manner, visual images appear and disappear,
creating an impression of a broken projector or a broken film. In
parallel, there is an impression of the nature of our random thought
processes and its incoherent behavior sometimes.