Different_Equations of Hesitation /
for amplified ensemble and live electronics____/ 2008-09
AUDIO/ ______1 AUDIO/ ______2 AUDIO/ _____3
trumpet
oboe
harps I-II
prepared piano
harpsichord
8 channel live electronics
'Different_Equation(s)'
deals closely and intimately with the space and acoustics of the
church, which was the main inspiration for the concept and musical
material of the piece.
Space,
generally, is used as a physical and a musical element - to 'place' the
musicians using physical opposites of the space and to 'place' musical
material using contrasting (opposite) musical textures and instrumental
timbres. The acoustics and space of the church play the role of a
living self-balancing surface that is constantly being penetrated by
suddenly appearing musical textures, observes and defines their
relationships and 'naturally forces' these textures to resolve their
differences in the musical context of the piece.
The
name of the piece was borrowed from the mathematical term 'differential
equation', which happens to explain the original idea of the piece
best. “Differential equations arise whenever a
deterministic relationship involving some continuously changing
quantities (modeled by functions) and their rates of change is
known.... Differential equations are mathematically studied from
several different perspectives, mostly concerned with their solutions,
functions that make the equation hold true.”
Written for and performed at Nickolai Church, Utrecht, NL / Feb, 2008
trumpet: Stylianos Chatzikaleas
harp-I: Maria Pozdnyakova
harp-II: Sophia Warczak
oboe: Natalia Morelos Gonzalez
piano: Athanasios Fotiadis
harpsichord: Elsa Sofia Santos
live electronics: Klaas-Jan Govaart
Special thanks:
Barbara Woof, Marcel Wierckx, Hans Timmermans, Jurrien Sligter,
Elizabet van der Kooij, Thomas Koopmans, Nicolai kerk / Utrecht